“The Gathering Place” choreographed by Jennifer Lin

September 24, 2021

Join us on October 23rd and 24th for “The Gathering Place,” a celebration of Mount Auburn choreographed by Jennifer Lin.

The sum of a gathering of spirits, people, plants, and animals within a place – Mount Auburn. Inspired by the landscape and historic figures of Mount Auburn Cemetery, The Gathering Place is a site-specific dance to be performed in Hazel Dell and experienced in the round.  The dance abstractly represents and celebrates the lives of historic characters buried at Mount Auburn and examines place, time and environment.  Jennifer Lin’s choreography is a blend of Western ballet, American modern and postmodern dance traditions.  The dancers range in age from 25 – 85 years, bringing a depth to the dance expression and emotion. Directly following the dance, Jennifer Lin will talk about the creation and inspiration of the dances and take questions.

Jennifer Lin is a 2021 Artist-in-Residence grant recipient.


Read More:

An Interview with Jennifer Lin: Capturing Mount Auburn in Dance

Jennifer Lin. Photo by Olivia Moon.

PERFORMANCE DETAILS

Dates:

Saturday, October 23, 2021 @ 2PM

Sunday, October 24, 2021 @ 2 PM

Tickets:

$20 / $15 for Friends of Mount Auburn Cemetery

Advance Registration Required.


FREQUENTLY ASKED QUESTIONS

What time should I arrive?
Please plan to be at the Cemetery at least 15 minutes before your showtime so you have ample time to park, use the restroom and check in. 

Is there parking?
Yes, when you arrive security will direct you to parking.

Is there a student/senior rate?
No, the only discounted ticket rate is for members of the Friends of Mount Auburn. Learn more about becoming a member.

Do I need to print my ticket?
No, we will have your name on our attendee list.

If I cannot make it to the performance, are my tickets refundable?
If you request a refund at least 48 hours before the show, we will refund your ticket price minus the processing fee by Eventbrite. 

Is the performance canceled if it is raining?
We will be in touch with ticket holders in the event of rain.

Is the performance handicap accessible?
The performance will take place in Hazel Dell off Central Ave.  There is a short walk over uneven terrain to the seats.

Do I need to bring my own chair?
No, we will provide chairs for every attendee.

Are restrooms available?
There are accessible public restrooms in the Story Chapel Visitors Center.

Can I take photos?
Once the performance has begun, we ask that you turn off your cell phones, and put away other electronic devices.  Photos are not allowed during the performance.

Are masks required to attend?
We are monitoring changing covid-19 safety precautions and will email ticket holders with current guidance prior to the event.  Face masks are required inside all buildings per the Watertown Board of Health (effective August 25, 2021), so bring a mask for restroom use.

Capturing Mount Auburn in Dance with Jennifer Lin

September 24, 2021

This year we have made mini-grants to five artists to create original works inspired by the Cemetery during a one-year period. Each of the selected artists will create an original project rooted in their experiences at Mount Auburn. Today, meet Jennifer Lin and learn about her project, “The Gathering Place.”


Tell us a little bit about yourself and your art.

Most of my childhood was spent in the Midwest, but because of my father’s work at the time (1960s), our family spent a year living in Brookline and then Malden, Mass. As it happened, Virginia Williams, founder of the Boston Ballet, still had a ballet school in Malden when we lived there during my 5th year of grammar school. I went to watch my best friend’s ballet class and was hooked for life on dance. I loved the physicality and the sense of abandon and freedom dancing offered, and of course the excitement of preparing, to the best of my ability, for performance.

I am a classically trained dancer of European and Asian descent. My choreography is characteristic of Western ballet and American modern and postmodern dance traditions. Sometimes I draw inspiration from my study and research of traditional Korean dance. I think of myself as a formalist and abstract expressionist. This means movement itself, and its properties and elements, greatly inspire my dance making. Visual design excites me. I like playing with shapes, space, texture, patterns, motion, rhythm, and dynamics. I build choreography using process-driven procedures such as chance, trial and error, and improvisation. The work feels architectural in nature. The dancer-performers are also an integral part of my dance-making process. I try to build on their strengths, and they infuse the choreography with individuality, personality, and style.

This is not your first experience creating choreography for Mount Auburn. Can you tell us about your work for “A Glimpse Beyond”?

“A Glimpse Beyond” brought together and thematically connected different episodes of live music, dance, song, and poetry and dispersed the acts in various locations. The audience moved from place to place to observe the different performances.

I presented two dances for two different productions of “A Glimpse Beyond.” One was a contemporary modern solo inspired by an iconic traditional Korean folk dance, and it was connected thematically through the story of a Korean War veteran. The other dance was a reconstruction of a traditional Korean drum dance.

Those two dances were not created as site-specific work; they were pre-composed, adapted, and performed within the context of “Glimpse.” In contrast, “The Gathering Place” will be a site-specific dance. It is created for and performed in a specific non-traditional location (rather than a traditional theater), and the content of the dance is inspired by my impression and interpretation of that place, the environment itself, and research on some of the history of Mount Auburn.

Can you describe the performance that you are creating, “The Gathering Place”? Where at Mount Auburn will the dance take place?

I think “The Gathering Place” is just that, the sum of a gathering of spirits, people, plants, and animals at and within a place – Mount Auburn – and happening at a specific time and location.

The dance abstractly represents, mourns, honors, and celebrates the spirits and lives of 8-10 historic characters buried at Mount Auburn, and examines the functions and particulars of place, time, and environment. I tried to synthesize and make a coherent whole out of all of these materials.

The dance evolves in the circular landscape of Hazel Dell. The choreography is designed to match the shape of the Dell and unfold in a circular, winding configuration. There is no designated “front” from which to view the dance, and the audience can sit or stand outside of the circle and around the periphery of the performance space.

Who are the historic people you have selected as characters in “The Gathering Place”? Who inspired or surprised you during your research?

The historic people I selected:

  • Amy Lowell (1874-1925, Lot 3401, Bellwort Path): poet
  • Asa Gray (1810-1888, Lot 3904, Holly Path): botanist, evolutionist
  • Erna Rosenberg (1911-2012, Lot 5415, Amethyst Path): peace and human rights activist, Window Shop Collective
  • Fanny Parnell (1848-1882, Lot 167, Violet Path): Irish poet
  • Gisela Warburg (1912-1991, Lot 10469, Azalea Path): helped Jewish refugees
  • Harriet Jacobs (1813-1897, Lot 4389, Clethra Path): author
  • Isabella Stewart Gardner (1840-1924, Lot 2900, Oxalis Path): art collector
  • Joyce Chen (1917-1994, Lot 10466, Azalea Path): entrepreneur, restaurateur
  • Julia Ward Howe (1819-1910, Lot 4987, Spruce Ave.): author, abolitionist
  • Louis Agassiz (1807-1873, Lot 2640, Bellwort Path): geologist, creationist

I would like to add that even though extensive research in the archives wasn’t possible due to the Covid pandemic, I have been delighted with the research process involved with making the dance. American history has never been a favorite subject for me, but working on this project piqued my curiosity and generated a feeling of excitement for the subject matter. I especially enjoyed reading The Lively Place by Stephen Kendrick and The Lowells of Massachusetts: an American Family by Nina Sancovitch.

The things that surprised me the most include turning a page in The Lowells of Massachusetts and seeing a photograph of Percy Lowell (not buried at Mount Auburn, though many Lowells are) sitting between two Korean yang bang, or upper class men in traditional horse hair hats. The next surprise involves the curiosity and pleasure I felt engaging with early revolutionary and antebellum America and local Massachusetts history. As I researched individuals and read histories and poems, I looked at maps and books with pictures of early Boston and made timelines of other historical events so I could grasp a bigger picture and put Mount Auburn specifics in context.

The cast for “The Gathering Place” consists of dancers ranging in age from 25 to 85 years of age. Some dancers are in the early stages of an artistic career, and others came to dance in midlife or after a career in another field. I tried to match commonalities between the dancers and characters.

What are the challenges and opportunities of staging the dance within the Cemetery?

Staging a public performing arts event in the Cemetery during the time of Covid creates different circumstances in which to work. Though much information is available through the Internet and video communication, I miss live interchanges, working on-site more frequently, the nuances of an in-person work environment, and live friendly social exchanges. Some challenges include adapting to rehearsing out in public space, limited access for on-site rehearsals, scheduling around other events, and adapting plans quickly and easily in case of a downturn in the pandemic or inclement weather.

On the other hand, staging a dance event within the Cemetery is a wonderful opportunity and experience. The beautiful landscapes with grassy glades and shady wooded dells provide an inspiring, pleasant, relaxing, and peaceful environment in which to work.

In addition to your artistic work, you have visited Mount Auburn for nature and meditative walks. What is your favorite place at Mount Auburn?

I love Asa Gray Garden, the views from Washington Tower, and especially the Indian Ridge and Auburn Lake area. It’s nice to be lost in the curvy back parts of the Cemetery. I enjoy the solitude of drippy foggy days in early spring when the ground is covered with large patches of blue spring flowers and the Magnolia trees at Halcyon Lake are fat with buds before the leaves come out. I like the company of the trees when I am feeling sad or lonely, and the verticality, height, and symmetry of the Dawn Redwoods.

What is your favorite season at Mount Auburn?

I have spent time during all the different seasons at Mount Auburn. During snow and ice it’s magical, in rain introspective and peaceful, mysterious and meditative in fog, and reassuring in sunshine.

Jennifer Lin’s “The Gathering Place” will be performed on October 23rd & 24th. Get your tickets today!


Support our Artist-in-Residence program.

Mount Auburn Leadership

September 20, 2021

Mount Auburn’s leadership is responsible for advancing the Cemetery’s mission, vision, and values.



MATTHEW STEPHENS | President & CEO

Matthew Stephens serves as Mount Auburn Cemetery’s 14th President & CEO. Stephens, a vocal advocate for the power of green spaces in urban environments and an outstanding business leader with strong experience in strategic planning, joined Mount Auburn in September 2021.

“Mount Auburn has always been a leader in reimagining what cemeteries can be and how they can be a resource to the broader community. I look forward to developing a wave of new energy to further galvanize Mount Auburn Cemetery as a locally cherished and internationally recognized cultural institution.”

With more than 15 years of leadership experience, Stephens has managed historic, public-facing organizations with complex missions. He most recently served as the Director of the San Francisco Conservatory of Flowers, Japanese Tea Garden, and Botanical Garden. Previously, he led MillionTreesNYC under Mayor Michael Bloomberg, one of the most ambitious and complex urban greening projects ever completed, where one million trees were planted throughout New York City. 

Stephens is a graduate of Illinois State University and earned his Master of Science in Public Horticulture from the University of Delaware in the prestigious Longwood Graduate Program.

Photograph of Matthew Stephens by Richard Morgenstein.

EXECUTIVE STAFF

Under the leadership of Matthew Stephens, Mount Auburn’s executive staff work collaboratively to oversee the Cemetery’s core areas of activity and achieve its strategic goals.

Michael Albano, Executive Vice President & CFO

Gus Fraser, Vice President of Preservation & Facilities

Jenny Gilbert, Interim Vice President of Institutional Advancement

Bree Harvey, Vice President of Cemetery & Visitor Services

GOVERNANCE

Mount Auburn Cemetery is governed and supported by a Board of Trustees that bring expertise from the private, public, and non-profit sectors.

The Friends of Mount Auburn Cemetery, an independent 501(c)3 non-profit organization with its own Executive Committee, supports the conservation of Mount Auburn’s natural and cultural resources and promotes public appreciation of the Cemetery’s many facets through programs and educational efforts. Funds raised through the Friends support visitor services, education, horticulture, preservation, and historical collections.

Open Position: Executive Assistant at Mount Auburn Cemetery

September 7, 2021

The President’s Department at Mount Auburn Cemetery is seeking an enthusiastic individual to fill the new position of Executive Assistant. Reporting to the President & CEO, this person will be responsible for providing executive administrative support primarily for the President, Executive Leadership Team and also for the Trustees to assist the Board Relations Officer with on-site tasks as requested.

• Serves as primary point of contact for internal and external constituencies (e.g., staff, Trustees, donors, cemetery users, professional contacts); answers President’s office phone, greets guests and provides exemplary hospitality.
• Provides sophisticated calendar management for the President’s schedule, scheduling appointments, integrating with the President & CEO’s personal calendar, coordinating meeting and event logistics (e.g., virtual link dissemination, room reservations, refreshments, AV needs) all while troubleshooting conflicts; making judgements and
recommendations to ensure smooth day-to-day engagements.
• Provides and fill a “gatekeeper” role, providing a bridge for smooth communication between the President & CEO and staff, demonstrating leadership to maintain credibility, trust, and support with the Executive Leadership Team.
• Prepares weekly calendar briefings which may include coordination of any necessary profiles of meeting attendees; solicits timely meeting and event briefing materials.
• Completes a broad variety of administrative tasks that facilitates the President & CEO ability to lead the organization including the preparation of written communications for the executive: drafts, produces and distributes emails, memos, spreadsheets, and complex reports.
• Coordinates business travel and time out of the office in a proactive manner.
• Completes additional special projects, data management or analysis as needed by the President or Executive Leadership Team.
• Assists with the preparation and distribution of on-site Board meeting materials as needed.
Qualifications and physical demands include but are not limited to:
• Bachelor of Arts degree or equivalent.
• Significant executive support experience, including supporting executives with a minimum of three (3) years’ experience in similar responsibilities, preferably in a non-profit organization.
• Strong computer and typing skills required; specifically, experience with Microsoft Office, including Excel, Word, Outlook and PowerPoint. Familiarity with a development donor base is desirable.
• A valid driver’s license.
• Must be an open and honest communicator with co-workers and Trustees.
• Collaborative working skills, positive attitude and a sense of humor.
• Ability to complete a high volume of tasks and projects with little or no guidance.
• Able to maintain a high level of integrity and discretion in handling confidential information.
• Must have excellent organizational skills and the ability to handle multiple tasks efficiently.
• Must be a self-starter with strong initiative and the ability to work independently.
• Must be patient, energetic, creative and flexible as work demands including switching projects or tasks at a moment’s notice.
• Must be able to move within a normal office environment, accessing all records and equipment with ease.
• Must be able to move between desk, front counter, and all files.

Hours of Work: 8:30 AM to 4:30 PM on Monday to Friday. Occasional evenings and weekends as required.

How to Apply: Please send a cover letter stating your career goals and objectives with a current resume, as Microsoft Word documents, and include “Executive Assistant” in the subject area, to: jobs@mountauburn.org Or by mail to: Human Resources Mount Auburn Cemetery 580 Mount Auburn St. Cambridge, MA 02138 Applications will be accepted until the position is filled. No telephone calls please.

Mount Auburn Cemetery is an equal opportunity employer.